a foreigner

i am a foreigner
 only, i don't know from which land
 i am foreign to.
 here, in a nation called "Canada"
 i am not treated as a citizen. though, i was born
here
and qualify by the rules.

i am treated as an outsider
 within my own people,
 gossip passed in front of me,
 like a bottle of wine
 around a young child.
contents forbidden.

and when i go back 'home'
 i cannot read the signs in my language,
 only in English.
 i need a translator
 to speak to my elders.

and, though i try to find a home in the name of
 "wanderer"
 i do not really go wandering.
 if anything, i am searching,
 purposefully looking with intent,
 but the results are not easy
and as i dig, and dig, and dig,
the deeper i go, &
the wider the hole.
the wider the hole.
the wider the hole.

high society

“the master’s tools will never
dismantle
the master’s house
but we are not mere tools
so let us not speak of our troubles
yours
and mine
inside this castle..}
{this fortress
is fortified
by hands
crumbled under bricks
and lay against crushed clay mortar
as if moths between jars
and concrete;
metal hats
fit not our crowns
and royal jelly
dissolves our teeth.

our conversation
never meant was contained to be:
the word,when  &
the creator spoke silence
into nothingness

we are (and always halve been) -ness  and -ness
and -ness  and -ness,
less than a whole
but always together
more

———————
The beginning of the quote is the title of an essay on anti-racist, pro-queer feminism by Audre Lorde. The essay can be found here: http://lists.econ.utah.edu/pipermail/margins-to-centre/2006-March/000794.html

Window Seat: Groupthink

Ever since I got up this morning, I’ve had a song stuck in my head but I couldn’t quite tell which one it was. There was just this meandering voice and hypnotic beat waltzing from ear to ear. Then I realized which song it was: Window Seat by Erykah Badu. Until I looked up the song on Youtube, I didn’t even know it was Eryka Badu who sang it. Lately I’ve been listening to a CD my dad burned and stuck in the car with various artists on it.. Needless to say, “Track 17” (or, what I now know is “Window Seat”) has been the popular track in my tape/CD deck.

I first stumbled onto Badu’s Window Seat from this post by Jay Smooth. I know the video and post have been out for a year already, but I don’t think the message of either really got to me until today: “look how far we’ve come, look how far we’ve got to go.” The world we live in (patriarchal, racist, ableist, classist…) survives by a machine that squashes differences and the drive to connect with one another. When we’re old enough to want to ‘fit in’ then we learn fast that we already fit nicely into the categories of “straight” or “brown” or “woman” or “other,” and there’s no easy way out… These mechanisms of oppression prevent us (because both privileged and oppressed ‘us’ are held back) from entering a world without hate. Groupthink and oppressive cultures posit us against each other.

So with this social consciousness in mind, I commend the bravery, passion, apprehension, fear, courage, and dedication that Ms. Badu employed to make her music video for “Window Seat.” Imagine: you’re a completely nude black woman walking downtown in Dallas, TX. If we are post-racist, then why is that such a scary thing to do?

Take a look at the video then check out Jay’s post. I’d like to hear what you think.

Erykah Badu – Window Seat

Jay Smooth’s post: http://nildoctrine.com/nil/erykah-badu-window-seat-video/

My middle name is Joel

Everyone carries a cross. Or a star of David. Or a jade Buddha. There is some connection to our family’s roots we bring with us and, under the dust of the windy and clouded present, is the gravestone of our cultural histories. Some are heavy. Some are feather light. Whatever it is, I found my jeweled pendant around my neck again after reading this Busy Dad blog post, its stone warming against my chest. Take a minute and read it through, and tell me you don’t feel for him.